Confused or curious about formats using log, 10bit, and prepping for LUTs in the post-
production process? This session will cover the subject in depth. We’ll show both hardware and
on-screen imaging with real-time LUT applications. Shooting in the LOG color profile, offers the most dynamic range and allows you to begin post-
production with a neutral project before color grading. These features are available today on
most camera systems, including sport cam/FPV cameras, and using LUTs dramatically expands
what the camera can provide.